During the installation, the sound map was projected on the wall of the Palace. The map ran on autoplay with field recordings selected at random one after another, and the map panned to new locations following each newly selected sound. The field recordings were mixed with a musical composition consisting of randomized tones. These fluctuating harmonies accompanied the soundscape in real-time.

Credits

Installation by Max Stein + Jen Reimer
Curated by Sound Development City

Photos by Nik Panique